By Cantor David E. Reinwald

Da lifnei mi atah omeid. Know before whom you stand. We see this text every time we are in the sanctuary. It is a reminder to us of the holiness of the space we inhabit and is an often featured moniker within synagogue sanctuaries. We have a heightened sense of awareness of this feeling of holiness during the High Holidays. Everything is in an elevated state around us. We read lofty poetic prayers, listen to elaborate music, sing from the depths of our souls, and we come to temple dressed in our finery. There certainly is something set apart about this time of year. We gather again as an entire congregation, and it is so special to have that feeling that our congregation is all together. It is a feeling of wholeness.

One of my all-time favorite prayers to sing is the Hin’ni, one of the very first prayers which make up our Rosh Hashanah evening service. It is a prayer of profound humility by the cantor, asking for God to recognize the cantor’s prayers as a perfect plea on behalf of the congregation. It sets the tone for all prayers uttered to be prayers which are “innocent and sweet and pleasing,” where the theme of love becomes “the banner we raise in Your sight” with the power to “conceal all our sins and make them as though they had not been.” It goes on to ask that, through our prayer, God may “change our afflictions to joy and gladness” and “our misdeeds to acts of life.” This prayer is one that I hold with great value when singing it that one time each year. It has resounding meaning time and time again representing the power of prayer.

Hin’ni. Here I am. This is the single word that is uttered in opening this prayer. It is another form of the same word, hineini, uttered by our forefathers Abraham and Jacob and by our great teacher Moses. It is a centering meditation. It is a profound statement of spiritual self-recognition.  It is a declaration of an individual’s presence and one’s understanding of connecting with the divine. Abraham, Jacob and Moses were each reduced to this single response amidst life-changing moments.  We read in the Torah: Abraham hears God’s call to stop his sacrifice of Isaac. Hineini. Jacob struggles to make a difficult choice—should he uproot his family and people to bring them to Egypt?  He hopes for a better life under the watchful eye of his son Joseph, but knows that risks abound. Hineini. Moses experiences God face-to-face appearing in the form of a burning bush, unconsumed. He, too, then understands this is no chance encounter. Hineini.

Each year, as though supported by this historical foundation, I walk into the sanctuary singing the glorious words of the Hin’ni arranged by Cantor Israel Alter. I feel this stunning setting entirely captures the mystery and power of this majestic moment. When I sing this arrangement, I feel each note throughout my body. It takes full presence to make every tone and every word ring throughout the sanctuary. I hope that this feeling is transmitted to each of my congregants who are standing and searching to see from where I am coming, or just taking in the vibrant and awe-inspiring experience. Alter has captured the traditional mode of the chant of Hin’ni, while allowing the accompaniment to give it musical ground upon which to stand. LISTEN

The words of Hin’ni reach both into the past and meet us here in the present. This duality is what Los Angeles-based composer Michael Isaacson has captured in his modern, contemporary style. Isaacson has created a haunting setting, all in English, which tiptoes upon the fragility of these words. Cantor Faith Steinsnyder, a dear teacher of mine, sings Isaacson’s Hin’ni beautifully and artfully. LISTEN

Finally, the meaning of “Hineini” was so important to me, that for the creation of my own album, Here I Stand, I asked my friend and album producer Josh Friedman to compose a modern song for me to sing upon this theme. His composition sums up everything I value about this prayer and its connection to our tradition. LISTEN

Here I am. Here I stand. Here I pray. Here I am. Hin’ni. 


Hin’ni, arranged by Cantor Israel Alter.  Yamim Noraim: Days of Awe 5-CD set, Transcontinental Music Publications, performed by Cantor David Goldstein.

Hin’ni, by Michael Isaacson. The Jewish Music of Michael Isaacson: Made in America: 1970-1995, Transcontinental Music Publications, performed by Cantor Faith Steinsnyder.

Hineini, by Josh Friedman and Cantor David Reinwald. Here I Stand, performed by Cantor David Reinwald.

David Reinwald is the cantor of Temple Beth Sholom of Santa Ana, CA and a member of the American Conference of Cantors. He is a native of Chicago, and a graduate of Indiana University and the HUC-JIR Debbie Friedman School of Sacred Music. His album, Here I Stand, is widely available through online stores for download and on CD through CDBaby.com.

Twitter Digg Delicious Stumbleupon Technorati Facebook Email
Guest Blogger

About Guest Blogger

RJ.org accepts submissions for consideration. Send your posts to rjblog@urj.org. Please include biographical information, including your affiliation with any Reform congregation or institution.

One Response to “Hin’ni”

  1. avatar

    The whole theological concept of “shlichei tzibbur” is very interesting. Early (and recent) detractors of Reform Judaism complain that Reform rabbis seem to have too “priestly” or “sacramental” a role, praying “on behalf” of their congregation too much and not inviting enough lay participation. There was often a charge that Reform rabbis were inappropriately imitating the roles of Christian clergy rather than being simple community leaders, teachers of Torah, and halakhic decisors. Yet, in “traditional” Judaism, the Cantor (or Chazzan), has exactly that sort of role! The chazzan is thought, in significant ways, to be a “representative” of the congregation before God, giving voice to their prayers in song. The Hin’ni prayer embodies that folk theology perfectly and beautifully, though it makes me angry because it shows how hypocritical Reform’s detractors are being, even sometimes from within our ranks. I’m not sure how I feel about shlichei tzibbur in a religion which prides itself on according people direct access to God in prayer, without any intermediaries. It is also interesting to note that Reform High Holiday Liturgy has often shifted the “cantor’s prayer” to the rabbi, since unlike orthodox Judaism where the cantor is the main liturgical facilitator, in progressive Judaism the rabbi leads services. I grew up with the rabbi reading the “hin’ni” prayer in English before the open ark, presumably (and hopefully) speaking to God but loud enough for the congregation to hear for their own benefit and edification. Even some of the vintage Conservative/Positive-Historical siddurim I inherited from relatives have this feature of the “rabbi’s prayer” before the Ark.

Leave a Reply