RJ.org News and Views of Reform Jews
 
About | Submissions | Contact
topics

  • Torah
  • Defining Reform
  • Jewish History
  • Jewish Living
  • Community
  • Social Action
  • Israel/World
  • Holidays
  • Shabbat
  • Lifecycle
  • Youth & Family
  • College Life
  • Books
  • Ask The Rabbi

    Get Jewish World News in your inbox

    BOOKS & MUSIC

    Inside Intermarriage
    Inside Intermarriage:
    A Christian Partner's Perspective on Raising a Jewish Family

    by Jim Keen
    (URJ Press)

    The Torah
    The Torah: A Women's Commentary
    (URJ Press)

    Union for Reform Judaism

    Foreign prophets, foreign songs
    July 14, 2008
    Jewish Living | Shabbat | Torah (9 comments)

    By David A.M. Wilensky
    Two summers ago, here at Kutz, a girls' cabin led services one day. As we all entered the tron, they were standing at the front singing and clapping their hands. The song goes like this:

    Lord, prepare me
    To be a sanctuary
    Pure and holy
    Tried and true
    With thanksgiving
    I'll be a living
    Sanctuary for you

    It's a nice song. The message is fairly basic and unobjectionable. The tune is catchy and sounds slightly gospel. I like it. Since then, I've also heard a variation that incoporates a quote from Torah, "V'asu li Mikdash, v'shachanti b'tocham" ("Build me a sanctuary and I will dwell amongst you"). I like that version even better. When people found out that this verse of song is actually part of a larger song from the wonderful world on contemporary Christian music, they went nuts.

    The rest of the song is not explicitly Jesus-centric or anything like that, though it does sound very Christian, talking about being led away from temptation. (Of course one could argue that that's our topic also, but that we've left by the wayside because Christians speak so much about it.)

    All week, we were hearing about how upset people were about the use of this songs in a Jewish service. This week also happened to be the week of Parashat Balak. Balak, aside from being one of my absolute favorite Torah portions, details the story of Bilam, a foreign prophet of God hired by a Moabite king, Balak, to ride out to the Israelite encampment and curse them. When he goes to curse them, God changes the words in his mouth into a blessing and out comes a poem of blessing. The first line is familiar to us because it now appears in every morning service: "Mah tovu ohalecha, Ya'akov mishk'notecha, Yisra'el!" ("How good are your tents, Jacob, your dwelling places, Israel!")

    This coincidence gets even better. Not only did we have an uproar on camp about the use of a non-Jewish song in services coincide with a Torah portion including a foreign prophet's song that we now use in services, not only did I notice this wonderful coincidence, but I was scheduled to deliver the d'var Torah that week. You can imagine what I spoke about that Shabbat morning.

    My point was that if we can take a poem uttered with the intent to curse us and make it into a regular part of a service, we can handle one verse of totally unobjectionable Christian song.

    In retrospect, I'm not sure that I was right. I was given the chance to revisit this story this week. Friday evening services were led this week, beautifully, by the songleading major taught by Caryn Roman and Jesse Paikin. They began with "Lord prepare me." If you're paying attention, you know that this last Shabbat was Shabbat Balak once again. You can imagine what was on my mind during services that evening.

    I got to thinking not just about this particular issue, but about one of the the popular tunes for Psalm 150, which is actually a Sufi melody (Alah hu, Alah hu, Alah hu, etc.) I thought about the Phish song "Wading in the Velvet Sea" and the Bob Marley song "Redemption Song." In my four summers at Kutz, I've heard both used as tunes for Mi Chamocha. I thought about a half-dozen other secular and non-Jewish melodies used in services. And I wonder if it's okay.

    There's no doubt in my mind that the melody itself is not the issue. It's the text. We have the entire Tanach, two Talmuds, and about eight million other Jewish texts out there to choose from. I wonder if we need to go to other traditions to find what we want to say. I wonder if we can't find it somewhere in one of our own texts.

    Originally Posted on the Reform Shuckle

    print Print     email Email     comment Comment    

     

    Comments

    Rabbi Jason Rosenberg said:

    > I wonder if we need to go to other traditions
    > to find what we want to say. I wonder if we
    > can't find it somewhere in one of our own texts.

    It's an important point, but I think that the answer might lie (as it often does) in moderation. Especially (but not exclusively) in a camp/youth setting, which is so experimental, I think it's great to try to find our liturgical themes in other, non-Jewish sources. It offers a new perspective on our prayers, and can help those who have trouble connecting with our own tradition to do so. But, balance is the key - we certainly have rich tradition, and I would argue that that tradition has to be the centerpiece of our prayers. The other material makes a lovely spice.

    M. B. said:

    We have a long history of sharing songs and other religious practices with our Protestant and Catholic neighbors. For example, Jewish writer Irving Berlin wrote God Bless America which has been long used at temples, synagogues and churches as well as many secular events. It's the lyrics of the song that make it acceptable or not. Jews used musical instruments in the ancient temples, but then quit for awhile. When Reform Jews started using organs in temple in the 19th Century, some people (who had forgotten the ancient temple) thought it was forbidden because they thought music in services was somehow "Christian." But musical instruments are not commonplace in our services.

    As a universalist religion, whose mission is to bring light to the world, shouldn't we be happy to share with others who share our belief in God?

    David A.M. Wilensky said:

    Rabbi Roseberg, moderation indeed! I completly agree. I think that in the case of NFTY and the camps, you're right that experimentation is commonplace and encouraged and that's fine. What's not fine with me is mixing things up for the sake of mixing things up. When you do something in services that is outside of the communal norm, there should be a reason. If the point of a particular camp service is interfaight dialogue and you want to include Christian and Muslim readings, that's great! But just throwing it into the service doesn't make sense.

    M.B., in the comments here and on the original post at my blog and on iWorship, a recurring theme has always been, "Well, we've always done that." Well, we've also always segregated women and men in service, but we in the Reform movment have put an end to that. "We've always done it" only works when we all agree that that it's a good thing to keep doing.

    I'm not saying that it's good or bad, I'm just trying to have the conversation.

    Larry Kaufman said:

    What comes around, goes around (or is it the other way around?.

    I was a senior in high school when I was first confronted with this issue. I was teaching Hebrew in a Reform congregation, a new and unfamiliar environment for me, and my supervisor asked me to write a couple of songs for the faculty Chanukah party. I dutifully complied, only to be told that my effort had met with some consternation in the education director's office -- what would The Rabbi (caps intentional) think about my having used a Christmas melody? Well, courage prevailed, and as it happened, Rabbi Brickner loved it. Sixty years later, I still remember my lyric (music for the Christmas melody by Irving Berlin) --

    I'm dreaming of a green eretz
    Just like King David used to know--
    Where the Negev's bloom
    Dispels the gloom
    That started two thousand years ago --
    I'm dreaming of a green eretz
    With every candle that I light....

    It should be noted that the Chanukah in question was after the UN decision to partition Palestine, but prior to the actual establishment of the state, and it should also be noted that Rabbi Barnett Brickner z"l was a dedicated and prominent Zionist when that was far from a mainstream position in the Reform movement.

    And having brought the theme of Zionism into the discussion, let's remember that the music for Hatikva is from a Czech folk-tune, also immortalized by Smetana in the Moldau.

    When David raised this issue on the iWorship list-serv, Frank Castronova of Detroit made the important distinction between secular and Christian sources -- and I don't want us to apply Handel's music to Isaiah's "lyrics" in the haftarot of consolation, lest we suggest that we are accepting the Christological interpretation inherent in Handel's work. On the other hand, despite the erudite analysis provided by Emily Katcher of Bainbridge Island WA showing the specific lyric as inherently Christian, I can live with it. All in all, I see the controversy that arose at Kutz as a tempest in a teapot.

    GSM said:

    I bristle at the notion of Contemporary Christian lyrics in a Jewish service (or even singing "Adon Olam" to "Deck the Halls"), but I can appreciate the exploration of whether familiar music that feels right in some way might complement or clash with some aspect of Torah or liturgy.

    Listening to the new Perishers album after reading this blog post reminded me of a time we talked about whether "Let There Be Morning" might be appropriate at Yotzer Or. Seems like a valid way to examine the values in secular music. If you decide against it, then you've refined your position a bit. But if it works, then you've integrated parts of your world together, and that seems satisfying, too.

    David A.M. Wilensky said:

    I recall that conversation, GSM. On relistening to that album though, I realize that really the only thing about the song that is Yotzer Or-ish is that it's about the morning.

    Violet Helms said:

    The words may be harmless, but when the tune is from a Christian song a person will associate it with that song, and with that religious practice. Over the years I have come to privately refer to we Reform Jews as "Jew Lite", we seem to compromise too often. There are an abundance of beautiful, meaningful, charming, happy, Jewish tunes and songs, we need to use these. Our children are too quick to learn/think "it doesn't matter", we need to help them know it does matter when it comes to worship.

    David A.M. Wilensky said:

    Careful with that "Jew Lite" business, Violet. I hope you take yourself more seriously than that. But if that's just your cynical reference to the fact that many Reform Jews don't take themselves seriously the way they should, then I guess that's ok.

    Aryeh Lev said:

    Ms. Helms says "when the tune is from a Christian song a person will associate it with that song, and with that religious practice."

    But what if a person doesn't know that the tune is from a Christian source, and hears it for the first time in a Jewish context? Won't the association then be strictly Jewish? Having sung Maoz Tzur in its traditional melody since childhood, shall I now stop since I've learned that the music source was a Martin Luther hymn?

    I'm sorry that Ms. Helms thinks of us Reform Jews as compromisers, rather than as pragmatists and as realists. We take the best from the world around us and adapt it to our purposes. We not only distinguish between the sacred and the secular, but we seek ways to make the secular sacred. What's wrong with that?

    Post a comment