A Tribute to Classical Reform
July 28, 2010
By Rabbi Eric Yoffie | Defining Reform | Jewish History
(13 comments)
by Rabbi Eric Yoffie Originally published in Reform Judaism magazine
Reform Jews like to divide themselves into camps, the most prominent being "traditional" versus "classical." Having grown up in a Reform congregation where the worship services were primarily in Hebrew, virtually all of the men wore kippot, and we observed two days of the major festivals, I identify more with the former. Yet I do not believe that the line between the two is as sharp as some would have us believe.
Classical Reform values such as universal ethics and intellectual rigor remain an integral part of who we are as a Reform Movement. Unapologetically cerebral, resting on a foundation of rationalism, Classical Reform attaches importance to thoughtful, well-prepared preaching, and expects rabbis to deliver the "message of Israel" with clarity and oratorical skill.
Classical Reform also graces our congregations with an enduring aesthetic sensibility. As Rabbi David Posner of Congregation Emanu-El in New York City has pointed out, the defining characteristic of Reform Judaism in the 19th century was not the absence of head coverings but wonderful music: powerful and awe-inspiring pieces for choir and organ scored by some of Europe's greatest composers or their students, many of whom were Jews. In that era, the new sound represented a radical break from customary synagogue music. Few of our synagogues still make use of organs and choirs in the Classical Reform style, but from time to time I hear the majesty of the great Classical Reform hymns, and I am filled with praise for those who care so deeply about the dignity of our worship.
We live in an era in which both rabbinic preaching and liturgical music are much less formal than they once were. Far more emphasis is also given to ritual practice and Jewish peoplehood--trends I have endorsed. Nonetheless, Classical Reform Jews bring a great deal to the Reform mix. Our commitment to reason and to ethics is the fruit of their efforts. Their devotion to beauty and decorum in Reform prayer still guides us, even if it is resisted by some and expressed differently by others. The Pittsburgh Platform--the defining statement of Classical Reform principles--is as relevant today as when it was issued in 1885.
This year marks the 200th anniversary of the founding of Reform Judaism in Germany, a good time to offer words of appreciation for the vibrant and revolutionary Judaism our Reform founders brought into being. As we celebrate this important milestone, let us all pay tribute to Classical Reform Judaism's enduring influence.
Comments
Post a comment
|
Thank you so much for this, Rabbi Yoffie. I am relieved to hear that someone high up in the Movement still has kind words for Classical Reform. It really means a lot. I was brought up in a VERY traditional, non-Classical reform congregation in the 90s and early 2000s, but recently upon entering College I discovered the existence of Classical Reform through research relating to my love of Classical music, specifically the pipe organ. My love and interest expanded from the music to the greater ideals and practices associated with Classical Reform. I'm a rare bird indeed for feeling this way at age 19, and if I could somehow help to effect a partial return to many of the ways of Classical Reform, I would do it in a heartbeat. I fully respect and understand the preferences of those who advocate for more traditional observance--I only wish that this sort of thing could exist as a choice alongside CR. In all honesty, this will never happen--the two "ways" will never again co-exist with equal following. This fact is the only thing keeping me from the Rabbinate. Instead, I can only hope to offer my resources as a musician to help delay the inevitable demise of the venerable CR music tradition--I've already nearly given up on the non-musical aspects of CR. As it is, most of the best music from the German/Early American tradition is only heard in the occasional concert, and rarely used in services. It would be nice if a few otherwise "Traditional" Reform congregations could be persuaded to install real pipe organs or restore the ones they already have and use some old music, even if only the Hebrew settings. I have seen very Traditional, mostly Hebrew services with the old music by Sulzer and Lewandowski, and it works quite well. Actually, some of the old Italian Renaissance music like Rossi's settings of the Hebrew liturgy meld better with more Traditional services than the 19th century German stuff does, since they a more exotic, modal flair to them. They might be more palatable to some because they lack the WASPy, "Protestant" sound that so many criticize.