The Spiritual Climax of Now
As we near the end of Deuteronomy, prepare to begin the yearly Torah cycle anew, and celebrate the finale of the fall holidays, we are poised for a remarkable spiritual climax. This week’s Torah portion, Haazinu, includes Moses’ dramatic theological poem – a powerful cry of the heart because he wants to ensure that the community understands the core principles of what it means to be an Israelite.
The Climax of Sukkot and the Profound Joy of the Journey
More than any other Jewish holiday or ritual, I love the audacity of Sukkot. After the many profound words and seemingly endless prayers of the High Holidays, Sukkot offers a very different holiday mode. The main theme and ultimate goal of the holiday is to achieve climactic joy throughout the holiday, including the intermediate days, which are known as Chol HaMo-eid Sukkot.
Did God Create a World Before This One?
Is it possible that there were other worlds in existence before this one? Some of the Rabbis say yes!
Naming Naamah, Noach’s Wife (and the Other Torah Women Too)
In this week’s parashah, Noach, we hear from Noah’s unnamed wife. She reminds us that it is not easy being one of the women in the Torah. Although these women ensured the future of humanity and of our people Israel, too often they are unnamed, demonized, silenced, or forgotten.
Growing Up as the Favorite Son
Parashat Vayeishev introduces the Joseph saga. When it begins, Jacob’s 11th son, Joseph, is a 17-year-old shepherd working in the fields alongside his older brothers. The text’s description of him as a “youth,” na-ar, is apt, both biologically and emotionally. As Avivah Gottlieb Zornberg writes: “Joseph behaves with the narcissism of youth, with a dangerous unawareness of the inner worlds of others” (Zornberg, Genesis: The Beginning of Desire [Philadelphia: JPS,1995], p. 253). He consciously tells Jacob malicious tales about the brothers and by wearing the beautiful, multicolored coat (or ornamental tunic) that Jacob has given him, flaunts the fact that he is the favorite son. It is thus not surprising that when Joseph’s brothers see that their father loves him more than they, they come to hate Joseph (Genesis 37:4).
Forgiveness and Reconciliation with the Past
Many years ago, I taught an adult education class on biblical heroes. Among those we studied was Joseph. We focused on Parashat Mikeitz and discussed Joseph’s contentious relationship with his older brothers and their later reconciliation.
Revealing Oneself in Order to Heal
As Parashat Vayigash begins, Joseph still has not revealed his identity to his brothers. With Joseph having framed his younger brother Benjamin for stealing his divining goblet, and consequently declaring that as punishment, Benjamin will be enslaved in Egypt, his brother, Judah, now beseeches Joseph to enslave him instead (Genesis 44:33). His plea comes after Judah reminds Joseph that he has an elderly father and describes in detail, why Benjamin did not initially go down to Egypt with the brothers and why, should he not return to Canaan, their father literally would die (Genesis 44:31).
The Power and Protection of Angels
For as long as I can remember, I have believed in guardian angels.
The Tension Between Hubris and Humility
In its brief 40 verses, Parashat Nitzavim immediately presents us with tensions between confidence and condemnation, promise and punishment, and ultimately, between humility and hubris. Throughout the text of these two compact chapters—Deuteronomy 29 and 30—Moses consistently oscillates between inspiring the Israelites toward their future and forewarning them about their inherent (and perhaps inevitable) flaws.
The Dramatic Effects of Sound and Silence
In the story of Elijah, this classic text describes the prophet’s encounter with God: “... the Eternal was not in the fire. And after the fire—a soft murmuring sound [kol d’mamah dakah]” (I Kings 19:11-12). The sound of silence—or close to it. The power of the soft whisper, the energy of the absence of sound. Jewish tradition, and the Torah specifically, uses many examples of the drama that can be achieved with sound,